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"Titz n Azz" Rick "The Legend" Has Returned to the UKF


RickTheLegend

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HI Rick, I want to believe in Russo & TNARICK but I feel I can't commit.

 

Couldn't you have included your IWC credentials in your original post?

 

I'm not sure I can give much credence to what you say if you're an internet wrestling forum novice?

 

PS PopeMobile...underrated.

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Nominated / and became runner up for TPWW Jobber Awards, 

 

Nominated for UKFF Dolt of The Year 2011

 

Nominated in another award on both WrestleZone and on TWO

 

Wrote fantasy shows that were loved by people on forums

 

Glen Gilberti mentioned my name in his response to a fantasy script competition

 

Had the name TNARICK mentioned at a local independent show for their fans of the year award

 

Numerous fans have posted fan pics with TNARICK on their signs on the internet

 

had a TNARICK sign appear on one of the early TNA Wrestling weekly ppv shows

 

Was one of the first five moderators chosen on OFFICIAL TNA forums that shortly existed, where we would even send in a weekly report,,,,

 

so ya,,,

 

I'm kinda a big deal

 

no more like a LEGEND.

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Who wastes this much time copy and pasting when trolling?  And why troll the UKFF?  We're a forum essentially composed of ex-wrestling trolls.  This is the one place on the internet where the "lol ROH is shit and Kevin Nash IS wrestling" opinion is the majority view.

 

Didn't I read that WWE re-hired Vince Russo a few years ago but he got let go on his first day back?  That takes some doing.  He must be a right old twatstick nowadays to get that sort of treatment.

Oh no, I went through a phase of loving ROH about 7 years back, does that mean I have to leave, I haven't watched it in years so I can't realy say what it's like now.

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pyroandballyhoo.com

 

HOLY GRAIL . . . I MEAN . . .RAW SCRIPT . . . “LEAKS” ON-LINE–WHAT I CAN TAKE FROM IT

 

09.04.2014  BY VINCE RUSSO 14 COMMENTS

So last night the RAW script from this Monday’s show “leaks” on-line. The thing I find the most fascinating about it is—THE RESPONSE OF THE INTERNET WRESTLING COMMUNITY!!! Guys—IT’S A FREAKIN’ SCRIPT TO A TELEVISION SHOW!!! This isn’t the document telling us who really killed JFK, or what “really” crash landed in Roswell, New Mexico in the summer of 1947!!! It’s not even proof of Big Foot, or Loch Ness, or  even a sneak-peak of the leaked photos of KATE UPTON—now, that would be something to write home to mom about!!! It’s just a TV show, guys, not the HOLY GRAIL, but a TV show! So sit back, treat yourself to a cream soda, and I’ll tell you what I can make of it from a “professional” point of view.

For starters there is no doubt in my mind that this is the “real deal”. NOBODY in their right mind is going to take the time, effort, or energy to write a fraudulent 30-page detailed episode of RAW in an effort to “work” the internet . . . I think. All kidding aside—this is original. In looking over the pages of the script, the first thing that jumps out at me is the detail that the writers are putting on the paper. The show was greatly detail, from start to finish, much the same way that Ed Ferrara and myself would pen a show during the Attitude Era. Honestly—this kind of surprised me. By looking at this show I MUST put the writers OVER for being extremely through in covering much detail in their instructions to the talent, announcers, agents and TV Production crew. By watching the show on a regular basis, it just didn’t appear to me as if this much effort was going into the “actual” writing of the show. By “writing” of the show in this case I’m talking about the “technical” aspect, not the “creative”. So truly–hats off to whoever is putting this together—it is well thought out, laid out and written.

The next thing I noticed was that this show was not “timed-out” at all, which tells me that it may not be the “final” version of the show. The actual timing of the show is the last thing that the writer actually figures out. When a show is completed with all the details, the writer than times each and every element of the show, while keeping a running tally of where the show is in overall “real” time. During the show, there is usually someone sitting at the backstage gorilla position making sure that the show is running ON TIME, and not too short, or too long, as it pertains to the format. This is where changes are usually made on the fly, to assure that the timing gets back on track, ESPECIALLY on a live broadcast.The copy of this particular RAW had neither the element times, or the overall time, which tells me that it may not be the FINAL-FINAL

In looking at this from a fundamental standpoint, I can only tell you what I see as a major flaw—in my opinion. When Ed and I wrote, there would clearly be a beginning, middle and end to every show. We would consider that the “backbone”. What story was going to carry your two hours. What angle were you going to hang your hat on and build throughout the entire program. Now—you break that down even further. What is going to happen in the story to get us from the opening in-ring to the middle part of the show. That is called the “cross-over”. If the show aired from 9-11pm, the “cross-over” would be at 10pm. What story were we telling from 9-10pm that was going to keep the audience invested in our ENTIRE show? Then, you did the same from 10pm-11pm. You fill in the blanks, so to speak, to keep the audience glued into your main story whereas they CAN”T WAIT for the finale, they’re not going anywhere, and you have SUCCESSFULLY created a sense of urgency through MUST SEE TV!!! Every show that we ever wrote started with the backbone, the foundation, of that very episode.

begin.jpg

Reading this script, and watching the show play out on TV—-that CRUCIAL element is missing. In this week’s show for example they had their opening segment, the BEGINNING, which was the vehicle to lay out their last segment–the END. However, there was literally NOTHING in between. There was no middle, there were no hooks, there was no “backbone”. What you got instead was just stand alone segment, after segment, after segment, until you reached your main event. One never tied into the next. A streaming flow of the entire show was just non-existent.

The-Middle.jpg

Not knowing the structure of WWE Creative at all, this is what it appears to be to me. It seems like there are writers assigned to certain segments of the show—seperate from each other. Then, when they’re all completed with their specific assignments—the show is put together. If this is the case, what that leaves behind is perhaps the most important element of the show—THE CONTINUITY. The flow of one thing to the next. When Ed and I were the SOLE two writers of the show, ONLY the two of us saw our vision through by PERSONALLY starting with a beginning, using the nest 4 segments to get us to the middle, and the final 3 segments to get us to the end. ONE, SINGLE, stream of conciousness. One focus—one goal.

end1.jpg

That is what is lacking in the WWE’s product today.

Of course . . . in my opinion.

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Interviewer "Did Vince Russo really help you do you feel in getting on tv and pushing you? 

O'Haire: "Ya definatly"

Interviewer: "I know some people look at him critically would you say thats all bullshit and hes talented"

O'Haire: "He never did anything wrong to me and he put me on tv, and he listened to some of the things I had to say which nobody really did
because he knew who I was, which was totally great. Him and Ed Ferrara"

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