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ItsClobberingTime

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    Random thoughts thread v2 *NO NEWS ITEMS*

    in UKFF Gold

    Posted

    I enjoyed Michael McGillicutty's performance last night at Nottingham much more than any time I've seen him on TV.

     

    The crowd did not react at all to him being introduced as Tensai's opponent. People around me were confused as to why "Two crap baddies are fighting eachother", but by the closing stages of their short match McG had showed enough babyface fire to get the crowd right behind him as the plucky underdog and a large pop greeted his win.

     

    I reckon with a new look and a bit of character he could be a useful mid-carder. Maybe putting him in a 2-colour singlet and white boots would be a start. It wouldn't make any difference to his in-ring performances and he's obviously way off being on the same level as his dad, but recognising his 3rd generation status would get sections of the crowd behind him as soon as he comes through the curtain.

    I've enjoyed his work a lot more on the new NXT than I ever did before. He's become a very capable in-ring performer, and he's not TOO bad on the mic.

    Deathmatch interest thread

    in UKFF Gold

    Posted

    a lot of the wrestlers are drug addicts and live on the outskirts of life which I think is always an admirable trait in a wrestler. It is a nice change from the clean cut and overpaid wrestlers of the big leagues. Wrestlers that get high with their fans in car parks and probably earn less money than they do. After all Wrestlers are entertainers and like most entertainers the best ones have spent years gripped in the death clutches of addiction and have sought to push whatever boundaries they can.

    I find it utterly bizarre that you 'admire' these people who are off their heads on drugs, have no desire to further themselves, and are happy to wreck their own bodies in front of such few people.Clean cut and overpaid 'big league' wrestlers? Well at least they've mostly got their shit together, worked damn hard to get there, and aren't sacrificing themselves in front of 10 people for the sake of a stupid little HOLY SHIT! chant once in a while.I know which one I'd rather be involved in, and I can't imagine for a second why anyone would support the drug addicts over guys who have busted their asses and got their shit together. Granted not everyone in the big leagues is completely clean cut, but they're beyond 'getting high with their fans in car parks'. Fuck that for a laugh.

    DVDs and Films You Have Watched Recently #2

    in Off-Topic Gold

    Posted · Edited by ItsClobberingTime

    Best thing I've watched lately is the Universal Classic Monsters Blu-ray set. They all look amazing.

    Awesome. Which films are on it if you don’t mind? And which ones have you enjoyed the most?

     

    I love the Universal monsters series. I’ve only ever seen them in poor quality before though. I might invest in that blue ray set.

    I've got the ltd edition coffin set, which is only a fiver more than the 'standard' set if it's ever in stock on Amazon. It keeps popping back on from time to time. Very nice set.

     

    In terms of what the set contains:

     

    For the first time ever, eight of the most iconic cinematic masterpieces of the horror genre are available together on Blu-ray as Universal Classic Monsters: The Essential Collection. Digitally restored in perfect high-definition picture and perfect high-definition sound. This essential set includes a never-before-seen featurette about the restoration of Dracula and the first ever offering of Creature from the Black Lagoon in its restored Blu-ray 3D version.

     

    Contains hours of bonus features, a 44-page booklet and 8 exclusive art cards with original theatrical posters.

     

    <-- click on 'spoiler' to show/hide the spoiler

    Dracula (1931):

    The original 1931 movie version of Bram Stoker's classic tale has for generations defined the iconic look and terrifying persona of the famed vampire. Dracula owes its continued appeal in large part due to Bela Lugosi's indelible portrayal of the immortal Count Dracula and the flawless direction of horror auteur Tod Browning.

     

    Bonus Features:

     

    Dracula (1931) Spanish Version

    Introduction to the Spanish Version by Lupita Tovar Kohner

    Dracula: The Restoration

    The Road To Dracula

    Lugosi: The Dark Prince

    Feature Commentary by Film Historian David J. Skal

    Alternate Score By Philip Glass performed by the Kronos Quartet

    Dracula Archives

    Monster Tracks Pop-Up Facts (pop-up facts about the making of Dracula that can be read while watching the film)

    Trailer Gallery: Centennial Trailer, Dracula Trailer, Dracula's Daughter Trailer, Son Of Dracula Trailer, House of Dracula Trailer

     

     

    Frankenstein (1931):

    Boris Karloff stars as the screen's most tragic and iconic monster in what many consider to be the greatest horror film ever made. Dr. Henry Frankenstein (Colin Clive) dares to tamper with the essential nature of life and death by creating a monster (Karloff) out of lifeless human body parts. Director James Whale's adaptation of the Mary Shelley novel and Karloff's compassionate portrayal of a creature groping for identity make Frankenstein a timeless masterpiece.

     

    Bonus Features:

     

    100 Years of Universal: Restoring the Classics

    The Frankenstein Files: How Hollywood Made A Monster

    Karloff: The Gentle Monster

    Monster Tracks Pop-Up Facts (pop-up facts about the making of Frankenstein that can be read while watching the film)

    Universal Horror

    Frankenstein Archives

    Boo!: A Short Film

    Feature Commentary With Film Historian Rudy Behlmer

    Feature Commentary With Historian Sir Christopher Frayling

    Trailer Gallery: Centennial Trailer, Frankenstein Trailer, The Bride of Frankenstein Trailer, The Ghost of Frankenstein Trailer, Frankenstein Meets the Wolf Man Trailer, House of Frankenstein Trailer

     

     

    The Mummy (1932):

    Horror icon Boris Karloff stars in the original 1932 version of The Mummy in which a team of British archaeologists accidentally revives a mummified high priest after 3,700 years. Alive again, he sets out on an obsessive--and deadly--quest to find his lost love. Over 50 years after its first release, this brooding dream-like horror classic remains a cinematic masterpiece.

     

    Bonus Features:

     

    Mummy Dearest: A Horror Tradition Unearthed

    He Who Made Monsters: The Life and Art of Jack Pierce

    Unraveling the legacy of The Mummy

    The Mummy Archives

    100 Years of Universal: The Carl Laemmle Era

    Feature Commentary with Film Historian Paul M Jensen

    Feature Commentary by Rick Baker, Scott Essman, Steven Haberman, Bob Burns and Brent Armstrong

    Trailer Gallery: Centennial Trailer, The Mummy Theatrical Trailer, The Mummy's Tomb Theatrical Trailer, The Mummy's Ghost Trailer, The Mummy's Curse Trailer, The Mummy's Hand Trailer

     

     

    The Invisible Man (1933):

    Claude Rains delivers an unforgettable performance in his screen debut as a mysterious doctor who discovers a serum that makes him invisible. Covered by bandages and dark glasses, Rains arrives in a small English village and attempts to hide his amazing discovery, but the drug's side effects slowly drive him to commit acts of unspeakable terror.

     

    Bonus Features:

     

    Now You See Him: Invisible Man Revealed

    100 Years of Universal: Unforgettable Characters

    Production Photographs

    Feature Commentary with film historian Rudy Behlmer

    Centennial Trailer

     

     

    The Bride of Frankenstein (1935):

    The acclaimed sequel to the original Frankenstein has become one of the most popular horror classics in film history. The legendary Boris Karloff reprises his role as the screen's most misunderstood monster, now longing for a mate of his own. Colin Clive is back as the proud and overly ambitious Dr. Frankenstein, who creates the ill-fated bride (Elsa Lanchester). The last horror film directed by James Whale features a haunting musical score that helps make The Bride of Frankenstein one of the finest and most touching thrillers of its era.

     

    Bonus Features:

     

    100 Years of Universal: Restoring the Classics

    She's Alive! Creating The Bride of Frankestein

    The Bride of Frankenstein Archives

    Feature Commentary with Scott MacQueen

    Trailer Gallery: Centennial Trailer, Frankenstein Trailer, The Bride of Frankenstein Trailer, The Ghost of Frankenstein Trailer, House of Frankenstein Trailer

     

     

    The Wolf Man (1941):

    Originally released in 1941, The Wolf Man introduced the world to a new Universal movie monster and redefined the mythology of the werewolf forever. Featuring a heartbreaking performance by Lon Chaney Jr. and groundbreaking make-up by Jack Pierce, The Wolf Man is the saga of Larry Talbot, a cursed man who transforms into a deadly werewolf when the moon is full. The dream-like atmospheres, elaborate settings and chilling musical score combine to make The Wolf Man a masterpiece of the genre.

     

    Bonus Features:

     

    100 Years of Universal: The Lot

    Monsters By Moonlight: An Original Documentary

    The Wolf Man: From Ancient Curse to Modern Myth

    Pure In Heart: The Life and Legacy of Lon Chaney Jr.

    He Who Made Monsters: The Life and Art of Jack Pierce

    Wolf Man Archives

    Feature Commentary with Film Historian Tom Weaver

    Trailer Gallery: Centennial Trailer, The Wolf Man (1941) Trailer, Frankenstein Meets the Wolf Man Trailer, Werewolf of London Trailer, She-Wolf of London Trailer, House of Frankenstein Trailer, House of Dracula Trailer

     

     

    The Phantom of the Opera (1943):

    This lavish retelling of Gaston Leroux's immortal horror tale stars Claude Rains as the masked phantom who haunts the Paris Opera House. A crazed composer who schemes to make beautiful young soprano Christine DuBois (Susanna Foster) the star of the opera company, the Phantom also wreaks revenge on those he believes stole his music. Nelson Eddy, as the heroic baritone, tries to win the affections of Christine as he tracks down the murderous, horribly disfigured Phantom.

     

    Bonus Features:

     

    100 Years of Universal: The Lot

    The Opera Ghost: A Phantom Unmasked

    Production Photographs

    Feature Commentary with Film Historian Scott MacQueen

    Phantom of the Opera Theatrical Trailer

    Centennial Trailer

     

     

    The Creature from the Black Lagoon (1954):

    Captured and imprisoned for scientific study, a living "amphibious missing link" becomes enamored with the head researcher's female assistant (Julie Adams). When the hideous creature escapes and kidnaps the object of his affection, a crusade is launched to rescue the helpless woman and cast the terrifying creature back to the depths from which he came. Featuring legendary makeup artist Bud Westmore's brilliantly designed monster, The Creature from the Black Lagoon is an enduring tribute to the imaginative genius of its Hollywood creators.

     

    Bonus Features:

     

    The Creature From The Black Lagoon in Blu-ray 3D

    100 Years of Universal: The Lot

    Back to the Black Lagoon

    Production Photographs

    Feature Commentary With Film Historian Tom Weaver

    Trailer Gallery: Centennial Trailer, The Creature From The Black Lagoon Trailer 1, The Creature From The Black Lagoon Trailer 2, Revenge of the Creature Trailer, The Creature Walks Among Us Trailer

     

    [close spoiler]

    ");document.close();

     

    It's a nice set, especially considering I've seen all the films on dodgy VHS and various states on DVD throughout the years. I'm happy with the price point I paid, but it will come down pretty quick probably.

     

    In terms of what I like the most? Probably Dracula. It seems like the biggest improvement to me, though Creature 3D is a fun experience. To be honest they all look wonderful to me.

    Random thoughts thread v2 *NO NEWS ITEMS*

    in UKFF Gold

    Posted

    I have been informed of someone (not me honest!) has put a proposal to Challenge TV to have a look at the scheduling for 2013 to see if there was the possibility of working out an agreement with TNA to get the PPV's on just a 48 hour delay on Tuesday and have the PPV air at 8pm instead of the normal 10pm Wednesday.

     

    The intention of this would be to create a TNA fan club where people could meet up and watch the PPV's in a venue have a beer and have like minded TNA discussion with other TNA fans. The club would have exclusive competitions on the night of the fan club nights such as a giveaway of TNA merchandise and UK tour tickets. If the club became a success where a sizeable amount of people were there TNA could have as a surprise TNA talent show up to the club and pose for candid pictures with fans.

    Honestly I don't see the point of this. Would they really change the whole way of them doing things just so a few fans can hang around together?

    Official ROH Discussion Thread

    in UK Fan Forum

    Posted

    What happened to wrestling fans turning up to shows and just seeing what they see without having to be so elitist that if you dont get what you want you throw a hissy fit and throw bottles and act a tit?

    Says Mr 'Give me everything I demand because I'm at the front and paid the big bucks' Elitist himself? Really?

    Official ROH Discussion Thread

    in UK Fan Forum

    Posted

    Less is more.

     

    Hogan never did shit like that. The Rock didn't. Austin didn't.

     

    Fuck Davey Richards. Fuck his lack of selling. Fuck his massive ego.

     

    If you have to nearly kill yourself every night in front of a few hundred to 'get over' then you're nothing but a cunt.

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