PRE-2000 CONTENT ONLY
This is one of those threads where people watch some stuff and then type stuff about it. This one is for any kinds of miscellany. An entire show, a couple of matches, some music video from Youtube... any wrestling-related footage or audio. Give your thoughts for us to read.
I have decided to resurrect my viewing. I don't know if I'm going to start WWE watching again or if I'll just settle for a big Dragon Gate catch up in preparation for November. To ease back into American wrestling, I have targetted my two favourite areas:
1) Nostalgia
2) Jobber squashes
Waylon Mercy vs Jobber.
I know it's a commonly held belief amongst most of the IWC these days and doesn't need pointing out, but by god it's a shame that Dan Spivey's back injury cut this character short. The look, the facials, the soft spoken delivery, the music, the Max Cady-esque overrall concept. Absolutely amazing gimmick and so, so well executed. I checked some links after watching the match and watched one his vignettes about how Waylon was going to make things "real peaceful" on arrival in the WWF and it was creepy as hell.
The match is what you expect from Waylon Mercy. From his intro up until bell time he's a charming Southern gent. I like that he isn't just cordial with the ref but also schmoozes and shakes hands with fans in the front row. It's not just a con to fool the ref and opponent, it's the facade he puts up for everyone, to mask the fact that he's a sadistic loon.
He jumps the jobber right from the bell while his back his turned and lays on a methodical beating. No hostility whatsoever towards the ref however. The ref cautions him on a couple of occasions for choking or not letting the guy out of the corner etc. and Waylon is totally apologetic and perfectly nice about it before returning to the assault.
I don't normally like the sleeper as a finisher, simply because it's become so established as a transitional move to head into a babyface comeback, but there really is no better finisher they could have had for Waylon. The look on his face, particularly his eyes, as his opponent fades away is just amazing. You often hear of serial killers who said that they killed purely because of an addiction to that moment where they feel someone's life fade away in their hands, and the frenzied, manic levels of joy that Waylon gets from putting this guy to sleep is clearly the wrestling equivalent of that.
Waylon Mercy vs Savio Vega
Waylon's first PPV match and the end of his undefeated streak. Savio has always been a capable wrestler, but this match is a wee bit sloppy. Savio hits probably the worst german suplex I've ever seen at one point. I like that Waylon's sleeper is protected though. Savio has to fight out of it using all of his resources, which is how it should be. I was cringing at the idea of them doing the usual, "arm drops once, arm drops twice, arm drops thre... no wait, arm shakes wildly and we have a babyface comeback!" because if the sleeper is your finishing hold then that spot needs to not feature in your matches at all ever because it will kill it. Savio wins with his sweet spinning heel kick.
I need to put a little comp together of all of Waylon's televised stuff. There wasn't a great deal of it anyway, so it shouldn't be too hard.
Know what I mean?
Doink vs Bob East
This was awesome. Matt Borne as evil Doink is one of my favourite things in wrestling. The character and his portrayal of it were just far too good for the promotion at the time. The subtleties of Borne's constantly shifting personality are a joy to watch. There's a post-match change in his expression that they capture as a close up and play in slow motion that is genuinely chilling, which is helped by the fantastic facepaint. That's not even mentioning one of the best theme songs of all time.
It helps that Bobby Heenan appears to be a huge fan of the gimmick. You can tell when The Brain is truly motivated because he'll try to add things to the match beyond his usual quips and silliness. For instance, in this one, he sells for the whole match that the scariest thing about Doink is that "he knows what he's doing in there" and that he's "an accomplished wrestler". Selling the idea that he's an absolute nut, but he's doubly dangerous because he's a dangerous nut with a textbook understanding of how to bring the pain. Contrast that with Brain's commentary when watching a Papa Shango match "the great thing about Papa Shango is that if you get bored when wrestling him you can just read him".
Anyway, yeah, Doink is amazing and I think the whole gimmick, theme and portrayal were years beyond what the promotion was ready for. On his way to the ring he offers a balloon animal to some children, then whips it away and cackles insanely at the last minute. Children look genuinely scared. They were big on cutting to shots of children during scary heel matches/entrances at the time, and only for Doink did they look genuinely terrified.
He is indeed an accomplished wrestler too. He hits an absolutely lovely fireman's carry to start, which I watched a few times over because it was so perfect. He works the jobber over with a coupe of submissions, an enzuigiri and a sweet dropkick to the chin. At one point he sets the guy up for a suplex, laughs like an absolute loon and then instantly snaps into the suplex with an angry grunt. Matt Borne just had every little aspect of the character down to perfection and it's great to watch.
He finishes the guy with that stump puller hold dealy. The jobber is tapping out but the ref counts three instead because his shoulders are down. Doink holds on for a bit after the bell to torture the guy, but the impact is lost a bit because we've sort of been told it's a pinning hold rather than a painful submission. It looks cool either way.
Papa Shango vs Jobber
I like Papa Shango. It was corny and cartoony, but I think he looked insanely cool, had wonderful theme music and is my favourite Charles Wright gimmick (admittedly the latter is faint praise at best). He beats the jobber good and proper here. Love the flying shoulder block, the biiiiig dropkick and of course his absolutely brutal shoulder breaker finish. He doesn't set him on fire or anything, I think this was a bit before that. He does give him a post match beating with the skull-on-a-stick though. I reviewed squashes a while back going by certain criteria, and post-match jobber violence is always a massive plus as part of any squash. Good work Papa, good work.
Adam Bomb vs Wrestling Superstar Virgil
Yet more amazing theme music. It's a shame that a composer with such a flair for the cinematic is reduced to generic rawwwk so much of the time these days. Sometimes he gets inspired and knocks out something like Beth Phoenix's theme, but he just doesn't seem to care so much any more. Adam Bomb's heel theme is absolutely tremendous. It's like something from a John Carpenter movie. So bleak, more worthy of a great horror movie than for the entrance of a slightly silly midcard heel. Bryan Clark is partly to blame here. He has Harvey Whippleman, he has a cool theme, awesome bright green contacts to sell the "affected by radiation" silliness and he looks suitably imposing because Bryan Clark has always been built like three houses. However, the mystique of it all is totally ruined when he gets into the ring, goes up to the camera and yells "ADAM BOMB, TAKING YOU, TO GROUND ZERO!!!!". Christ, how 80s is that? Oh, and the goggles are fucking ridiculous, but big Bry didn't choose them, so that's not his fault.
The match is a curious one. They have the idea right. Virgil is all speed and aerial moves, Bomb is all power and no-selling. It works, but the two don't quite gel and I got this uneasy feeling that they were always on the verge of a massive botch. It didn't happen, but there some hella sloppy moments, including a horribly loose Meltdown from Bomb to finish. There's one point where Virgil goes for a springboard flying cross body and Bomb just leans in with a shoulder to splat him down. That was friggin' great.
This was a really fun bit of wrestling viewing all round. Doink was amazing, so was Waylon. The jobbers were pasty, flabby and useless, their beatings were needlessly abusive. Five stars all round.
