Varg Vikernes of Burzum served almost 16 years in a Norwegian prison for murder but when you interview him there are a few ground rules: no questions about family, political views or time in jail are allowed. All questions are forwarded to Vikernes in Norway via e-mail. Part of this is understandable; Vikernes is an extremely divisive figure and understandably wants to keep his privacy. At the same time, why would someone who has been outspoken on so many topics – particularly race and religion – avoid a chance to explain his views?

Vikernes is one of the founders of the Norwegian black metal scene and created a sound that has influenced countless bands. He is equally as well known for what happened when he wasn’t writing music. In 1993, he killed Mayhem founder and guitarist Euronymous and later went to prison. He was also linked to numerous church fires. The case was sensational in Norway; Vikernes became internationally notorious after the publication of the book Lords of Chaos, which explored the second wave of black metal in Norway and elsewhere.

Most of Varg’s statements and early interviews and can be found on the Internet so there’s no need to rehash them here. A Google search will direct you to his long and complicated history. Vikernes resumed writing metal after leaving prison, following Belus (2010) with Fallen, which will be released by Candlelight in April. The following are his answers to our questions.

What is a typical day for you like now?

Right now I am promoting the new album. There is little time for anything but work, work and more work.

Do you spend most of your time on your farm and the surrounding areas or do you ever get out further in the country? Do you even want to travel?

Yes, I spend most, if not all, of my time at home. No, I don’t want to travel.

Can you tell me more about how you write music? Do you work on riffs alone at home? Do you do most of your writing in the studio?

Everything I make is recorded on my PC, using a Gina 3G echo card and Tracktion 2. I then arrange everything into tracks. Finally, I write lyrics and then re-arrange the music, if necessary, to fit the lyrics, or vice versa. I only improvise introductions and conclusions in the studio.

All of your interviews are conducted via e-mail. Can you see a place in the future where you’d be comfortable talking to people on the phone and having a straightforward back and forth rather than answering questions this way?

Nah. I don’t want any more acquaintances than I already have.

What do you think of journalists and music writers?

I don’t think journalists and music writers make up a particularly homogenous group, but generally speaking I don’t like journalists and don’t understand why anybody cares to write about music. Maybe they do because they don’t want a real job (much like musicians)?

What do you think about the fact that your albums always seem to have disclaimers, i.e., writers will praise your music but make every effort to distance themselves from you?

Well, that’s their problem, not mine. I don’t care.

Do you enjoy doing press for albums and talking about your music or is it something you feel like you have to do as a recording artist?

It can be enjoyable, but it is first and foremost something I do because I have obligations to my distributors and label.

Were you surprised last year to see yourself in international magazines like Guitar World and not have the focus solely be on your past and your reputation even if those things were mentioned?

Not really. As suggested by the name of the magazine they are more interested in music than anything else…

How did you develop your relationship with Candlelight Records?

They have a deal with Byelobog Production, so you should ask them about that.

Can you ever see a time when you are known as Varg Vikernes the musician without all of the back story, hype and baggage? Or do you think the two are now inextricably linked?

They are probably inextricably linked, but I don’t think we should care too much about that. I think most bands are linked to pretty moronic and low-brow behavior, and I just killed a guy to keep my own (life) so… unlike most other musicians, I have nothing to be ashamed of. When it comes to the church fires I will simply ask you to talk about that to those who did it, and not to the person they blamed for their own crimes.

Do you think people won’t accept you as just Varg the musician because they are waiting for an apology for past events and statements? In the United States people are often given second chances if they publicly express remorse or contrition.

Well, I forgive them all for their ignorance. Men who defend their lives rarely have a habit of apologizing for doing so afterward. Do you really think I should apologize for killing a perverse self-proclaimed sodomite and devil worshiper with concrete plans to torture me to death, whilst filming the whole thing? I killed him when he attacked me. Sure, according to Norwegian law I went too far the moment he abandoned his murder-attempt and tried to flee instead, and I chased him down and slew him instead of running away like some coward, begging the useless police for help. Even his closest friends support me in this case. Sorry. You really need to wait forever if you ever expect an apology from me. I should be waiting for an apology from Norway, for her even by international standards criminal treatment of me.

Fallen comes almost exactly a year after Belus. To what do you attribute your renewed creativity? Is it simply the fact that you are now free and able to work as you please or are there other factors at work?

I am still me, unaffected by time – at least in this context.

Do you consider your music almost a linear narrative, i.e., does Fallen pick up where Belus left off?

No, they all stand alone, on their own two feet, so to speak.

In Fallen death isn’t treated as something horrible or something to avoid at all costs but rather something to embrace and cherish. I’m thinking about the lyrics: “Come death, dear death; give me the answer to all riddles, give me key and wand, unlock the world’s locked doors.”

Death is not a taboo in the aboriginal European culture, and was often seen as the answer to all riddles, to power and wisdom. You know, that’s why you dress up like ghosts and other creatures, which belong in the realm of the dead on Halloween (initiation evening); you are supposed to in order to gain access to the realm of the dead – and you need to wear a mask in order to see the realm of the dead. Only the dead or those who pretend to be dead are allowed access across the bridge to the realm of death.

This festival was an initiation, and one that was completed in the Yuletide, on what we celebrate today as the New Year’s Day. The latter was the day the initiates banished the spirits of winter by scaring them away, with flaming torches, screams, burning wheels and such in the night. And only then could summer and the strength of the Sun return… or so they believed.

The European world view is circular, and not linear; there is no beginning or end, like in the Judeo-Christian world view. No Eden and no Heaven or Hell. Hel is only a realm of the dead, where they rest until they return to life, like summer returns after winter, like growths in the soil return to the surface when the Sun regains her strength in the spring. Ragnarok is a renewal of what once was. And there is no beginning either. The belief that Ash and Elm were created from two pieces of wood by the gods is a (Judeo-Christian) misinterpretation.

There is no life without death. There is no death without life. If we depend on it to live, then why should we fear it?

Is our culture and world completely distanced from the idea of death as it was presented in classical mythology? Death in most ancient religions was presented as simply a gateway to something greater, another journey. Now people try to stay alive forever and there’s even talk about immortality via computers and technology.

Death is a taboo today probably because of religion and the fear of hurting and stepping on others who believe in silly things. All religions are based on sorcery and we are all to some extent superstitious. Children for example instinctively create rituals for themselves; to help them handle things they don’t control or understand (id est things they are afraid of). They calm themselves down by repeating the same behavior, over and over again, turning this behavior into small rituals. Man was in its childhood similar, and therefore developed sorcery as a lifestyle. If they didn’t do «this» the Sun would perish, they believed, and if they didn’t do «that» the Sun would not return after winter, and so forth. Eventually this turned into a religion, and this has dominated the mind of man through the ages.

If anyone expresses doubt or questions the rituals it is disastrous for those who believe in them, because it will then be harder for them to believe in the rituals. The result is that in the end nobody dares to speak about these things, out of fear it will ruin their own faith – a faith that as long as they have it gives them a peace of mind.

The fear of death that we see today is perhaps also a result of the fact that we no longer live in the present, and even those who know classical phrases such as carpe diem (seize the day), don’t very often actually understand them. The classical man knew that there is no past and no future outside of the present; only the present exists, and the past and the future exist only in the present. If you are able, like the classical man was, to really seize the day, id est truly live in the present, then you exist beyond time and you are already immortal!

Death in the classical pre-Christian era was but a renewal; a chance to start over again, with clean sheets. Death itself was a form of salvation; if you err too much in life, you can always chose death, and have the opportunity to start over again with clean sheets.

Does living in nature give you a greater appreciation for the cycle of birth and death you write about in Fallen?

I think nature is very much present in the towns and cities as well, and I am sure we see as much death and decay in the cities as we do in more rural areas, although perhaps not as much rebirth.

How much research do you do into the Norwegian myths you write about in your songs? Are all of the stories researched or do you draw from your previous reading and your own imagination?

Well, Belus was an album dealing exclusively with ancient myths and religion – and sorcery – and I would not have been able to write the lyrics for Belus had I not done as much research as I had before I made it, but Fallen deals less with these myths and focuses more on metaphysical issues, existential questions and the feeling of despair, and I don’t think you need much research to have an opinion about such subject.

Your screams have always been extremely powerful – where does that power come from? Rage?

Yeah, I guess so. From Wotan – and as you might know; Wotan; id est furor (Lat. “Wotan; that is fury”).

Have you always been interested in the native mythology of your country? Was this an interest that came from your family or did you develop it on your own?

Now, I wouldn’t call it “native of my country”. The ancient European religion was common to all Europeans. Anyhow; yes, I developed this interest myself, on my own.

Did you play all of the instruments on Fallen like you have in past releases? Where did you learn to play multiple instruments?

Yes, I play all instruments on Fallen as well. I am autodidact in this context.

Your riffs are often described as meditative and trance-like. Is your goal with music to put someone in a completely different mindset, to offer an escape valve?

Yes. I think the only true “magic” in our world is the one we can find in beautiful scenes, music, the written word and other art.

Like many of your other albums, the rhythm section of Fallen is somewhat muted and the guitar does most of the work. Is your music intentionally written this way?

It is, but I do think it is less so on Fallen compared to older works.

Can you tell me more about the choice of the cover art? It’s strikingly different that what you’ve used on past Burzum releases.

I understand that many think so, but I cannot see this. Anyhow, I chose this cover art because it fitted the theme of the album perfectly.

Is there a back story to Fallen? Can you elaborate on it?

Not really. You should take it the same way you take the pre-Dauði Baldrs albums.

What kind of equipment are you using on this release? It’s well known that you intentionally used low-fi equipment on albums like Filosofem to get your intended sound.

You can find a list of the equipment used on Burzum.org. I only included this list in the press release to avoid having to answer questions about which equipment I used for this recording. This topic is of no interest to me. I use whatever equipment is at hand and whatever works – and whatever is at hand usually works just fine.

Did you use any digital equipment when recording this album and if so what did you use?

We used a sample for the kick on the slow parts, but apart from this every instrument on the album was analog – recorded digitally.

Can you see a point in the future where you’d write songs in English again?

Perhaps. Maybe I will, just to spite Norway; the last Soviet state in Europe.

Do you read newspapers or watch television? You obviously have an Internet connection – do you pay attention at all to what’s online outside of your official Internet presence?

Nah.

What do you think of today’s constantly connected media? For example, it’s given people easy and instant access to your music but at the same time it allows people to say whatever they’d like about you in a chat room under an anonymous name.

And they are free to do so; they obviously don’t have a life of their own, so they need others to leech on, in order to feel alive themselves. I pity them, but I also ignore them. Who cares what they write? I am sure we wouldn’t even notice if they were gone.

The Internet is a curse and a blessing, but I think it is not any different from most other things in this respect. Everything can be both a curse and a blessing. Cars. Telephones. Trees. Music. Computer games. Even food can be both a curse and a blessing. It is what we make of it. To me it is only a blessing.

Do you have or use a cell phone?

Nope. I plan ahead instead, and spare my head for at least some unnecessary heat radiation.

Your music is very popular among metal listeners in the United States. You’ve often criticized the country for things like overt materialism and suburban sprawl. Do you think people are seeking the ideas you put out or do you think they are attracted by your notoriety? Is it both?

Well, I think you Americans focus too much on my criticism of the USA, but I guess that is normal – and perfectly okay. I also do hope that the wisest amongst you – and I happen to know there are many of them – understand what I am trying to say. I don’t say something just to provoke, but I do provoke to say something. It is hard for me to know what attracts Americans to Burzum, but I can only hope it’s their good taste and their enlightened and open mind that does.

Mayhem still continues playing to this day with a cobbled-together lineup featuring your old friends Attila Csihar and Hellhammer. Are you in touch with either of them and do you pay attention to what they are doing?

Not really, but I guess I should. They deserve the attention. Unlike others in the scene, they have supported me from the start – possibly because they knew what a worthless individual this Euronymous character was.

Do you ever listen to your older electronic albums recorded when you were still incarcerated?

I rarely have the time to listen to anything at all, save unfinished Burzum music, and when I do have the time I tend to listen to The Cure. When I on rare occasions listen to old Burzum tracks I do like them, though, and would wish I had more time to listen to them.

What’s the biggest misconception about you as a person?

You tell me. I am not good at remembering what others say about me, or good at paying attention to such things at all.

The first time I read about you was in a book you have widely disowned. If I were to come have dinner at your place would I find someone completely different that what was presented to me?

You bet. You wouldn’t believe how many times fellow prisoners walked up to me over the years in prison and told me, as if they were in shock, how different I was from what they had been made by the media to believe – and I may add that every single one of them told me they were very positively surprised. Now, that might not be too much, considering just how negative the media has been towards me over the years, but still.

Oh, and I think you would have been surprised by how small the dinner plates are in Europe too.

Like all his previous albums and interviews, all very similar.

How it goes about your music? Is it loved by some relatively constant tribe, or you feel like you getting more and more dedication from people?

Things are going well with my music. I enjoy making music and take my time to do everything until it is "perfect". The Burzum albums sell more now than before, so I guess the "tribe" is growing.

What your upcoming album is about? Just few keywords, if you may say.

In one word; elegy. It deals with the personal journey from the darkness of "the cave" (from the allegory of the cave, by Plato).

What do you think about unprecedent mixture of races, known as "globalization"? Which stage we're observing, what may happen next?

Globalization is very destructive to our species. The ancient Greek philosophers where blonde and blue-eyed, and even then talked about how their race was mixed with others, and how this affected their society negatively. When there were no more natural blondes and no more blue eyes in Greece, they incidentally stopped producing great philosophers. Today Greece is a very race mixed country, and because of this is but a rotten, crime-ridden, poor, unproductive, dysfunctional and broken society. Italy and Spain are not much better. This will be our fate as well, if we don't stop the globalization. What may happen next? Disaster, in one way or the other. Globalization can only lead to disaster. It always has, it always will.

You were incarcerated when Internet was very minor force but growing. What you feel about it today?

It is a sea of information, and too large a sea, because it drowns us all in meaningless and often inaccurate information. The useful and accurate information is hard to find, and will only be found by a few of those who seek it actively. In effect the Internet is a tool of suppression, because it distracts the masses, by providing them with entertainment and by obscuring the truth. Well entertained (and well fed) individuals unable to see the truth rarely revolt or protest when the corrupt leaders enslave them. They are too busy chatting, playing games or looking at videos to see the dangers.

What do you think about current political leaders of Russia? Do they same kind of actors, like Obama?

I am on the outside, looking in, and as I see it they are too much running errands for corrupt Jews. Like every other politicians these days, I may add, willingly or unwillingly. Yet, the Russians look better in most respects, than for instance the American politicians.

Is Eugenics useful, from your point of view? Is it need to improve people genetically?

All biological lifeforms need to improve all the time, or they will quickly become extinct, because every other lifeform is improving, and often at the expense of other lifeforms. How we improve, on the other hand, is a different subject. Eugenics, be it positive or negative, might be difficult in practice, but we should at least stop encouraging and helping genetic failures (like those who cannot have children without medical help) from reproducing. However, the most important thing is probalby to stop all vaccine programs. Not only do they ruin our health (the vaccines contain mercury, which they inject directly into our blood system!), but they also make morally bankrupt Jews in the medical industry (even more) filthy rich and powerful.

What is best preparation for closest future any individual can make?

Stockpile fuel, guns, ammo, canned food et cetera, and withdraw all your money from the bank. Buy mechanical cars (like a Lada Niva), instead of plastic crap filled with fancy technology (id est "modern" cars) that will break down after a few years of use - at best (they are actually designed to break down after a few years, because they want us to buy new cars all the time!). Vote only for so-called right wing extremist parties.

What is technology? Where do we go with it?

Today we only go willingly into our own doom. We grow lazy, ignorant and useless, because technology replaces us in so many ways, and provide us with so much (meaningless) entertainment. We also move towards a society where we have less and less actual freedom, and a society that will make Orwell's 1984 look like a dream rather than a nightmare. The governments have more and more control on their populations. Eventually we will wake up realising we are completely enslaved; slaves of their good will; slaves of the good will of the pharmaceutical industry (owned by Jews), because we are so broken down (by amongst other things their vaccines) that we need their medicines to even survive; slaves of the genetic modified food industry (owned by Jews), because they have patented their food, and we are not even allowed to grow food, because they own it, and their food "pollutes" natural food - because we cannot stop the wind from spreading their genetically modified seeds. In fact, their food will not even grow in our fields unless we buy from them their patented fertilizers. We will become slaves, unless we soon revolt and stop this madness. In the future they will probably even force us to wear small chips on us at all times, that will let them know where we are at any given time. "For our own safety", like if we get lost in the mountains, or at sea, or something like that. Eventually they will argue that we must operate these chips into our bodies, so that we never lose them. And then we are 100% enslaved, and forced to obey. There will be no escape. And who is in cammand then? The eternal Jew...

Are you getting huge correspondence?

It depends on what you define as "huge". I get many e-mails, but I don't have the time to reply.

Did you read a lot about Russia?

Enough to have sympathy and respect for the Russian people.

Do you feel some connection between Norway and Russia? Between your personality and Russia?

For some reason I have always felt a connection to Russia myself, but I cannot tell if there is some special connection between Norway and Russia, other than the fact that we are good neighbours - and have actually always been. When I was a teen I felt a connection to Russia because the ignorant, religiously fanatic, mongrel, nuclear bomb-dropping, murderous, cheating, lying, treacherous, war-mongering, ugly, fat, tasteless, Jew-worshipping, stupid and useless USA (JewSA) spread so much anti-Russian (and anti-Soviet) propaganda. How can you not like Russia when the USA don't? Right? Also, I grew up listening to Tchaikovsky, a magnificent composer indeed. (Oh, and on a more base level; how can anyone not like Russian women, or the AK-74, or BMP-1, or BTR-80, or Mi-17, or Beryozka camo? Et cetera.)

Do you like to see any martial arts competitions? What do you feel when fighters from different races are compete?

Actually, I have never been a great fan of martial arts competitions. Not even when I was training martial arts myself. When I see such competitions, though, I naturally always want the fairest guy to win... "Every cat to her kind". "Birds of a feather flock together".

What can you say to homosexuals?

Maybe; "Death is better than dishonour".

Did you ever visited tomb of Grieg?

No. Or maybe I did, but I don't remember. We might have visited his tomb with school when I was a kid. He used to live a couple of kilometres away from where I grew up. (I just checked Google maps, and it's 2,4 kilometres on road from my childhood home.) I visited his home a few times, though.

Which Classical composers you may call interesting people (when reviewing their recorded life facts)?

This I know very little about. I have not studied them or their lives. Their music is often nice, but I have no interest in them personally.

Is Norway protected enough? By what? And from what?

Norway is a sewer right now, with all kinds of filth flowing freely in the streets - and in the parliament in particular. The "Norwegian" prime minister (Stoltenberg, a Jew) is rotten to the core, and criminal Muslims, Balts, Poles, Chechens and all kinds of coloured individuals are free to do just about anything they want to in Norway without much risk of persecution. Oh, and they (the Jew-owned media in Norway) call the Eastern European and Chechen criminals "Russians" too, by the way, because they speak Russian to each other, giving the Norwegian population the (wrong) impression that there are loads of criminal Russians here ("The Russian mafia") threatening our security. I spent 16 years in Norwegian prisons, and I only met two Russians (or technically only one; the other was a Russian with Ukrainian citizenship). None of them were really criminals, just unlucky individuals. I met hordes of hard-core criminal Albanians, Poles, Balts, Rumanians and Chechens though - and many of them were actually Gypsies of course. 100% (yes: 100%!) of all assault rapes in Norway since 2003 were committed by Muslims (Arabs or Negroes). About 90% of the Heroine market in Norway (and actually in all of Scandinavia) is controlled by Albanians, who were allowed to stay here en masse because the Serbs defended their civilian population in Kosovo against Albanian teenage-murdering, girl-raping terrorists. Scandinavia is messed up by our politicians, and the population is too well fed, too misinformed and too well entertained to care. We do get the impression from the (Jew-owned) media in Norway that Russia is a growing military threat, "of course", but this only makes at least me think better of Russia and the Russian leaders. What we really need protection from is our own leaders, the war-mongering NATO, "our" media, and of course our own stupidity and naivity. NATO is our biggest threat right now (and I say that knowing Norway is a member of NATO...). Just take a look at how much heroine Afghanistan is producing now, compared to when it was run by the Taliban. This heroine flows into all of Europe (including Russia) and it helps Albanian (and other) criminals get rich and powerful, and it ruins our society from within. Oh, and NATO (id est the USA) makes everyone hate us too. Rightfully. In the meanwhile China takes over the world...

May you try dance music production someday? Is it possible for you to contribute your voice for dance (club) record? What that hypothetic band need to do to make you interested?

Well, Vladimir, "ruler of the world", I have actually made rave/house music before, but I have never released anything. I don't think I would like to contribute to other projects at all though. Each man to his own band...

What is your today's advice for people of Russia, and/or, to whole world?

Don't trust your government or the media, and vote only for so-called right wing nationalist parties with a strong anti-Jewish attitude. Or face total enslavement in the near future. And beware of China; a ruthless Communist dictatorship with no concerns for your well-being. The USA is rotten, but dying. China even more rotten, and she is growing in power. Beware!

Do you love Earth?

Love is a strong word, and our planet is but a rock amonst many in the universe. She is doing fine, and if she finds us and our nonsense too troublesome she will rid herself of us. As simple as that.

Thank you very much, Varg!

Thanks to you Vladimir, for the interest and questions. Good luck to you!

May you try dance music production someday? Is it possible for you to contribute your voice for dance (club) record? What that hypothetic band need to do to make you interested?

Well, Vladimir, "ruler of the world", I have actually made rave/house music before, but I have never released anything. I don't think I would like to contribute to other projects at all though. Each man to his own band...

What a piece of shit.

Yeah. But he's not, though, is he? I mean, the stuff about well-fed, well-entertained people might seem mind-blowing and original and enlightening if you're an unhappy fourteen yo who still hasn't seen Fight Club, but far more than half of what he's saying amounts to made-up shite about ancient Europe and 'fuck the Jews/Slavs/Muslims/whoever'.

I merely said that some of what he says is true.

Half, you said half.

Okay then, half of what he says is true. Not 50.5%, not 49.9%, but exactly 50% of what he says is true.

I give Vikernes around 6 months from the date of his release before someone kills him.

What does he say that's true, though? Doesn't even have to be half. Other than meaningless aphorisms about the internet and pithy, unsubstantiated observations about evolution and whatnot, everything he says is a lie.

That's better, mind you I only half believe you.

If half of what Harry says is true, and he says half of what Viggie Murdersen says is true, that means only a quarter of Vaargh's pronouncements are true. Is that right?

Many argue that Mr. Breivik was in fact executing orders from Mossad, to punish the Palestine-loving Marxist-governed Norway, but first and foremost to create a false banner for misinformed right-wing extremists to unite under, and that what he was doing was a "false flag" operation.

His manifest is vast, some 1500 pages, and he is pretty thorough in both what he says and what he did. There are a few facts that doesn't make sense to me. How can he list all the problems caused by different Jews in our history and yet fail to mention even one of them with a single word in his manifest? He attacks the symptoms of the disease Europe is suffering under, but not the cause of the disease.

He is a Freemason too, and that certainly doesn't make any sense whatsoever. Freemasonry is international Jewry at it's worst; they too are working for a de-construction of all nations on Earth, and to build a global Hebrew temple, enslaving us all under the will of the Jews and their servants, the Freemasons. Well, this explains why he doesn't say a word about the creators of all the different religions and ideologies now set up to fight against each other.

He is a Christian too. Now, in a sense that does make sense, but why does it make sense? The Jews created Christianity as a religion for non-Jews to follow, so that they too would become worshippers of their Hebrew false "God", so that the unruly Pagan Europeans would become servants and a powerful tool for the Jews. Whether the Jews created Islam too, or whether they just saw an opportunity coming when it was created is not known, but we do know that the Jews have always promoted conflict between these two religions and indeed they still do. When the Christians grow too strong the Jews support the Muslims to weaken the Christians. When the Muslims grow too strong the Jews support the Christians to weaken the Muslims. They often support both sides too, if both sides are too strong, and they often do in secret. Christians then kill Muslims, and vice versa, whilst the Jews laugh safely in the background, profiting from it all.

Mr. Breivik either went straight into their trap, like so many Christians have done in the past and still do, or he works knowingly for them, again like so many Christians have done in the past and still do. The Christians and the Muslims, ladies and gentlemen, are but soldiers/cannon fodder for the Jews in their mission to enslave us all under their rule.

What Mr. Breivik has said is largely true, in all except in what he doesn't say; he doesn't tell us that the Jews are the origin to all these problems, and that they were created by the Jews to hurt us. All we have to do to make this act of violence favourable to us is to make this clear to everyone; the Jews created Marxism, feminism, Christianity (need I tell you that Jesus and not least Paulus/Saul were both Jews?), so-called psychology, banking ("money lending"), the hippie-movement and all other ideologies and movements which are aimed to destroy and de-construct all nations in Europe. Behind each and every one of them you will find a Jew (or some times a Freemason)!

How could you miss that out, Mr. Breivik?

Working for the Jews, are you Mr. Breivik, to unite all European right-wing extremists under your false banner? To make sure the focus on the Jewish enemy of Europe is moved to something else? Or maybe you don't even know that you have been used by sinister Jews?

So now not only Christians kill Muslims, and vice versa. Right wing extremists are supposed to kill left-wing extremists too and vice versa I assume? Is that the plan? You did this to recruit and make even the right-wing extremists fight for the Jews?

Who benefits from this? Israel does! The Jews do! None of our aggression will be directed at them were it all should be directed. We will be fighting each other instead, whilst they move about in the background, out of the spotlight, and profit from our suffering, and in secret tighten the chains of slavery around our waists and ankles.

Oh, and by the way; true nationalists don't kill children of their own nation, even if someone tries to brainwash them, like AUF did. They were not (yet) Marxist extremists; they were just children.

Those damn joooos!!!

Wasn't Breivik associated with your lot, Mickey?

Wasn't Breivik associated with your lot, Mickey?

He had alot more contact with us than joey barton or jordan ever did, he made contact and spoke to us at length and agreed with what we were fighting for

Did you buy them David?

Any you've no qualms about buying the music of a jew-hating murderer then?

From the samples i've heard it's not that great, nothing really sounds much different from the original tracks.